The Cunning
Little Vixen

Stefan Herheim is back – with a fantastic fairytale opera for adults!
A magical forest and enchanting workshops: Encounter parallel worlds, dig through layer upon layer of games and meaning – and experience the music that makes it all possible.
Outfoxing humans
A cunning little fox is taken home by a forester. She is full of animal instincts, yet also surprisingly human. The fox gossips, steals and kills. She fights for her freedom, seizes the moment with passion and shows everyone around her what it means to live.
Read the articleWhen the magic of opera comes to life
Now and then, it takes a fairytale to make us see reality for what it is. And sometimes it is animals who draw our attention to what it means to be human. The Cunning Little Vixen does just that – through music.
A kaleidoscope of images, associations, and subject matter
Moore Parker, theoperacritic.com
A celebration of the power of music
The Cunning Little Vixen was written by Czech composer Leoš Janáček, who also wrote the operas Jenufa and Katja Kabanova. It first premiered in 1924 and is adapted from a novella by Rudolf Tešnohlídek published in a Czech newspaper in 1920. With this as inspiration, Janáček created an unconventional portrayal of both humans and animals that shows that nature and culture are not opposites, but two sides of the same coin.
The music in the opera is as playful as it is melancholic, and is a celebration of the circle of life. Director Stefan Herheim takes this as an invitation to celebrate the transcendent power of musical theatre to change – both us and the world.
The Cunning Little Vixen is opulent, technically complex and grand both in scale and aesthetics, and also packed with meta commentary.
Chanda Vanderhart, Bachtrack
Critically acclaimed director returns – together with a new music director
Norwegian Stefan Herheim is respected worldwide for his clever and light-hearted opera interpretations. Here in Oslo, he has orchestrated such critically acclaimed performances as Julius Cæsar, Tannhaüser, La Bohème and La Cenerentola.
Herheim is currently opera director at the Theater an der Wien. The Cunning Little Vixen was the first performance he personally directed from this director’s chair. It first premiered in Vienna in 2022 and was praised by critics.
Several of our up-and-coming Norwegian opera soloists are sharing the stage, while the Oslo Opera House’s new music director Edward Gardner can be found in the orchestra pit.
- Free introduction (in Norwegian) one hour before the performance
- Production borrowed from Theater an der Wien
Synopsis
A cunning little fox goes home with a forest ranger. Full of animal instincts, she is surprisingly human at the same time. The fox gossips, steals, and kills; she fights for her freedom, seizes the moment with great love, and shows those around her what it means to live.
In the forest life continually wakes anew. Instead of going home, where his wife is waiting for him, the forester lies down in a clearing for a nap. In his sleep dream mingles with reality. Only when a young vixen attracts him in a magically erotic way is the forester startled. He drags her home with him.
At the forester’s house the little vixen gets to know animals that came to an arrangement with humanity long ago: Whilst the old dog compensates for his unrequited love by composing, the good hens go about their daily business under the supervision of the arrogant cock. But the vixen doesn’t want to be domesticated. When she bites one of the forester’s children, he puts her on a leash. At night the tied up vixen dreams of her independence and the next morning she incites the hens to revolt against the cock. But the chickens don’t want freedom. The cunning little vixen pretends to be dead to take the cock by surprise and rips out the throat of the chickens by the row. The horrified forester’s wife demands that the forester shoot the little vixen. But she outwits him and runs away.
Free in the forest, the vixen meets a badger who acts like a moral guardian. She throws him out of his den without further ado and moves into it herself – all to the great joy of the female inhabitants of the forest.
The forester, schoolmaster and parson are playing cards at the inn at the table reserved for regulars. As always, the forester mocks the schoolmaster for his infatuation with a certain Terynka, whereupon the schoolmaster spitefully asks him about his adventure with the vixen that escaped. To avoid quarrelling, the schoolmaster takes his leave and, when a horde of furious villagers ask for the parson, he also takes flight. Left with the bill, the forester suddenly thinks he sees the vixen and rushes after her.
Whilst he staggers home alone, the schoolmaster philosophises about life. When the fleeting object of his desire appears to him, he worships it and runs after it. The parson also has disappointment in love to bemoan and rails against the wickedness of the world. After a moment of seeming enlightenment, he suddenly sees himself again together with the forester and the schoolmaster at the table, on which the vixen is now dancing. Once again the forester wants to shoot her, but she escapes again.
In the forest the vixen meets a handsome fox. She falls in love with the gallant gentleman immediately, but can’t believe that he also finds her desirable and struggles with a fear of commitment. He helps her to overcome this and finally she gives herself to him. Shortly after the vixen is pregnant. They quickly get married. The whole forest celebrates the happy couple and their offspring with singing and dancing.
Summer is followed by autumn and winter. In the forest the forester waylays the sinister Harašta, whom he suspects of poaching. But Harašta won’t let himself be caught and follows the forester like a shadow, telling him of his upcoming marriage to the lady of all hearts – Terynka. In a turmoil, the forester then lays bait to hunt down the vixen. The fox family sees through the trap immediately. When the vixen faces up to the hunter alone and mocks him, she is killed by his shot.
In the forester’s house life goes on. The parson moved away long ago and the forester misses him, especially as he can’t talk to the schoolmaster any more, who is in mourning for his lost love. Spring lures the forester into the forest again. Moved by the circle of life, he sees ghosts who remind him of the wonders of creation that most people blindly pass by.
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Sunday 6. April18:00 / Main Stage
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Wednesday 9. April19:00 / Main Stage
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Saturday 12. April18:00 / Main Stage