Skip to main content
My page Shopping basket

Die
Csárdásfürstin

Closed
Dansere med kostymer foran hjerte på en scene Photo: Erik Berg

Hit machine returns to Bjørvika

When the beloved Csárdásfürstin is carried forward into our century, the right to love whoever we choose is at the heart of the performance.

She’s from the world of showbiz and he from business. She’s part of the colourful, queer theatrical culture, while he’s from an upper-class family with old money and new clothes.

Sylva and Edwin hit it off all the same. Much to the dismay of his parents, who would prefer that he end up with the rich man’s daughter Stasi. But Sylva is undeterred by prejudice, class difference or ingrained attitudes – including towards her personally as transgender.

... a performance that is highly recommended for everyone, especially those who have never seen an opera before.

– ANNA NGUYEN, PERISKOP

 

Being loved for who you are

Die Csárdásfürstin is one of the world’s most popular operettas and a fascinating story about setting love free.

But it is also about the painful shame of not being accepted for who you are: Who are we when we are not acting? Who are we when we take off our masks? And who are the others behind all the melodrama?

Old flame, modernised production

For years, this blockbuster packed a full house on Youngstorget, with such singers as Vessa Hanssen, Terje Stensvold, Tor Fagerland, Anne Nyborg and Kjersti Ekeberg.

Many were thrilled when Die Csárdásfürstin returned to the Oslo Opera House in 2022 with a whole new look & feel, thanks to Hanne Tømta and her creative team. These include costume designer Alva Brosten, who is critically acclaimed for her predilection for glitter, tulle and extravagance. This operetta can now be experienced again in Bjørvika, when a group of exceptionally talented artists are taking the stage, ready to take audiences by storm!

Free introduction in Norwegian one hour before the performance

Artistic team and cast

  • Music
    Emmerich Kálmán
  • Original title
    Die Csárdásfürstin
  • Libretto
    Leo Stein, Bela Jenbach
  • Norwegian text
    Gudrun Glette
  • Conductor
    Peter Szilvay
  • Direction
    Hanne Tømta
  • Set design
    Olav Ryland Myrtvedt
  • Costume design
    Alva Walderhaug Brosten
  • Lighting design
    Øyvind Wangensteen
  • Participants
    Opera Chorus, Opera Orchestra, Gjertruds Sigøynerorkester
    • Miska
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
    • Sylva Varescu
    • Edwin
    • Stasi
    • Grev Boni Kancsianu
    • Grev Feri von Kerekes
    • Anhilte
      • Anne Krigsvoll
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
    • Leopold Maria
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
    • Eugen von Rohnsdorff
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
    • Kisch
    • Danser
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
    • Scenemusiker
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00
      • Tom Karlsrud
        • 16. Oct 2024 19:00
        • 19. Oct 2024 13:00
        • 7. Nov 2024 19:00